The Breakfast Club () - Plot Summary - IMDb

 

essay from the breakfast club

While Brian accedes, instead of writing about the actual topic, he writes a very motivating letter that is in essence, the main point of the story. He signs the essay "The Breakfast Club", and leaves it on the table for Mr. Vernon to read when they leave. The Breakfast Club Essay examples Words | 4 Pages. The breakfast club was to say the least a boring 80’s movie. But it was a good movie for the purpose of analysis. The Breakfast Club essaysThe Breakfast Club begins with five high school students from different social groups, arriving to school on a Saturday morning to serve detention from 7 am to 4 pm for their irresponsible actions towards other classmates and towards the school itself. There.


The Breakfast Club Essays - Words | Bartleby


For this edition, I participated in an interview about the movie, as did other people close to the production. So I relented, thinking perhaps that it would make essay from the breakfast club a sweet if unconventional mother-daughter bonding moment.

At one point in the film, the bad-boy character, John Bender, ducks under the table where my character, Essay from the breakfast club, is sitting, to hide from a teacher. She expressed no curiosity in anything sexual, so I decided to follow her lead, and discuss what seemed to resonate with her more. Maybe I just chickened out. But I kept thinking about that scene. I thought about it again this past fall, after a number of women came forward with sexual-assault accusations against the producer Harvey Weinsteinand the MeToo movement gathered steam.

If attitudes toward female subjugation are systemic, and I believe that they are, it stands to reason that the art we consume and sanction plays some part in reinforcing those same attitudes. I made three movies with John Hughes; when they were released, they made enough of a cultural impact to land me on the cover of Time magazine and to get Hughes hailed as a genius.

His critical reputation has only grown since he died, inat the age of fifty-nine. There is still so much that I love in them, but lately I have felt the need to examine the role that these movies have played in our cultural life: where they came from, and what they might mean now. It can be hard to remember how scarce art for and about teen-agers was before John Hughes arrived, essay from the breakfast club. Young-adult novels had not yet exploded as a genre.

All the teens I knew would rather have died than watch one. The films had the whiff of sanctimony, the dialogue was obviously written by adults, the music was corny. Portrayals of teen-agers in movies were even worse. The actors cast in teen roles tended to be much older than their characters—they had to be, since the films were so frequently exploitative. The boys are perverts, as one-dimensional as their female counterparts, but with more screen time.

And then Hughes came along. Hughes, who grew up in Michigan and Illinois, got work, after dropping essay from the breakfast club of college, writing ad copy in Chicago. The job brought him frequently to New York, where he started hanging around the offices of the humor magazine National Lampoon, essay from the breakfast club.

He told me later that, over a July 4th weekend, while looking at headshots of actors to consider for the essay from the breakfast club, he found mine, and decided to write another movie around the character he imagined that girl to be.

No one in Hollywood was writing about the minutiae of high school, and certainly not from a female point of view. According to one study, since the late nineteen-forties, in the top-grossing family movies, girl characters have been outnumbered by boys three to one—and that ratio has not improved. The few blockbuster films starring young women in recent years have mostly been set in dystopian futures or have featured vampires and werewolves. I had what could be called a symbiotic relationship with John during the first two of those films.

But, more than that, I felt that he listened to me—though certainly not all the time. Coming out of the National Lampoon school of comedy, there was still a residue of crassness that clung, no matter how much I protested. Later in the film, after Samantha agrees to help the Geek by loaning her underwear to him, she has a heartwarming scene with her father. John squirmed uncomfortably. That scene stayed, though. Claire acts dismissively toward him, and, in a pivotal scene near the essay from the breakfast club, she predicts that at school on Monday morning, even though the group has bonded, things will return, socially, to the status quo.

He never apologizes for any of it, but, nevertheless, he gets the girl in the end. I was well into my thirties before I stopped considering verbally abusive men more interesting than the nice ones. Thinking about that scene, I became curious how the actress who played Caroline, Haviland Morris, felt about the character she portrayed.

So I sent her an e-mail. We met for coffee, and after we had filled each other in on all the intervening years, I asked her about it.

Haviland, I was essay from the breakfast club to learn, does not have the same issues with the scene as I do. In her mind, Caroline bears some responsibility essay from the breakfast club what happens, because of how drunk she gets at the party.

I shared the story with Haviland, and she listened politely, nodding. Haviland, like me, has children, and so I decided to frame the question hypothetically, mother to mother, to see if it changed her point of view.

Absolutely, positively, it stays in your pants until invited by someone who is willing and consensually able to invite you to remove it.

After our coffee, I responded to an e-mail from Haviland to thank her for agreeing to talk to me, essay from the breakfast club. Later that night, I received another note. On the other hand, she was basically traded for a pair of underwear.

Ah, John Hughes. Looking for insight into that darkness, I decided to read some of his early writing for National Lampoon. I bought an old issue of the magazine on eBay, essay from the breakfast club, and found the other stories, all from the late seventies and early eighties, online.

They contain many of the essay from the breakfast club themes he explored in his films, but with none of the humanity. Yes, it was a different time, as people say. Still, I was taken aback by the scope of the ugliness. The latter story ends with him having to use the money he saved for new skis on getting an abortion. When I knew him, he never expressed an interest in doing drugs of any kind, including alcohol—with the exception of cigarettes, which he smoked constantly.

Films that I am proud of in so many ways. Films that, like his earlier writing, though to a much lesser extent, essay from the breakfast club, could also be considered racist, misogynistic, and, at times, homophobic. And yet I have been told more times than I could count, by both friends and strangers, including people in the L.

Leaving a party not long ago, I was stopped by Emil Wilbekin, a gay, African-American friend of a friend, who wanted to tell me just that. A week or so after the party, I asked my friend to put me in touch with him. In an e-mail, Wilbekin, a journalist who created an organization called Native Son, devoted to empowering gay black men, expanded upon what he had said to me as I had left the party.

And yet embracing them entirely feels hypocritical. And yet, and yet. How are we meant to feel about art that we both love and oppose? What if we are in the unusual position of having helped create it? Erasing history is a dangerous road when it comes to art—change is essential, but so, too, is remembering the past, in all of its transgression and barbarism, so that we may properly gauge how far we have come, essay from the breakfast club, and also how far we still need to go.

While researching this piece, I came across an article that was published in Seventeen magazine, infor which I interviewed John. It was the only time I did so. I pointed out that he had already done a lot of movies about suburbia, and asked him whether he felt that he should move on as his idols had. I was set to make one more Hughes film, when I was twenty, but felt that it needed rewriting. Hughes refused, and the film was never made, though there could have been other circumstances I was not aware of.

In the interview, I asked him if he thought teen-agers were looked at differently than when he was that age. We were able to initiate change, because we had such vast numbers. We were part of the Baby Boom, and when we moved, everything moved with us. John wanted people to take teens seriously, and people did.

The films are still taught in schools because good teachers want their students to know that what they feel and say is important; that if they talk, adults and peers will listen. The conversations about them will change, and they should.

From the United States to Iran, students led social movements that are changing the course of history. Recommended Stories. Sign in. Get the best of The New Yorker in your in-box every day. Privacy Policy.

 

"The Breakfast Club" Character Analysis Essay - Words | Bartleby

 

essay from the breakfast club

 

The Breakfast Club Essay - A Misleading Exterior In the film, The Breakfast Club (), John Bender, the slovenly rebel at Shermer High School in Chicago, is serving a Saturday detention with four very different students. Apr 06,  · The actress and author Molly Ringwald writes about revisiting the movies she made with the late director John Hughes, including “The Breakfast Club” and “Pretty in Pink,” in the age of #tisismortcrit.ml: Molly Ringwald. The Breakfast Club essaysThe Breakfast Club begins with five high school students from different social groups, arriving to school on a Saturday morning to serve detention from 7 am to 4 pm for their irresponsible actions towards other classmates and towards the school itself. There.